Resonant Spaces
Listen to the space and inhabit the sound
Keywords:
architecture, sound space, performance, critical spatial practiceAbstract
From the interaction between sound and space, the dimension of soundspace emerges. This research project and its series of artworks focuses on the aesthetic, and social aspects of soundspace as a means to create alternative and subjective narratives, to resignify and deconstruct the memory of space and the architecture that sustains it. The paper revise the concepts of space and sound in architecture, social sciences and sonic arts of the 20th century, trying to create a link between these diverse practices and theories. Understanding that a major shift in all this disciplines occurred when sound and space coalesce. From this revision the research methodological tools are proposed: compositions, installations and performances of soundspace, which are used to explore and create new narratives through listening. Tools that are applied to a series of case studies abandoned infrastructures on the margins of memory and the urban, uninhabitable spaces with exacerbated and unique acoustics, industrial and war monuments that in their acoustics preserve the origin of the contemporary city.
Downloads
References
Albers, J. (1964). The Origin of Art. In Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, 131.
Amacher, M. (1979) Psychoacoustic Phenomena in Musical Composition. Arcana III, 9-24.
Barthes, R. (1993). El acto de escuchar, lo obvio y lo obtuso. Paidós.
Blesser, B., Salter, L. (2007). Spaces Speak, are you listening? Experiencing aural architecture. The MIT Press.
Candy, L., Edmonds, E. (2018). Practice-Based Research in the Creative Arts:
Foundations and Futures from the Front Line, Leonardo Journal, Volume 51, Issue 1, February 2018, p 63-69.
Careri, F. (2002). Walkscapes: el andar como práctica estética. Editorial Gustavo Gili.
Cox, C. (2018). Sonic Flux: Sound, Art, and Metaphysics. University of Chicago Press.
Dewey, J. (1934). Art as experience. Minton, Balch, and Company.
Eisenberg, A. (2015). Space. Keywords in sound, 193-207.
Evens, A. (2005). Sound ideas: Music, machines, and experience (Vol. 27). U of Minnesota Press.
Gottschalk, J. (2016). Experimental Music Since 1970. Bloomsbury Publishing.
Krauss, R. (1979). Sculpture in the expanded field. October, 8, 31-44.
Labelle, B. (2006). Background Noise, Second Edition: Perspectives on Sound Art. A&C Black.
Labelle, B. (2018). Sonic Agency: Sound and Emergent Forms of Resitance. Goldsmith Press.
Lefebvre, H. (2013). La producción del espacio. Capitán Swing.
Leitner, B. (1978). Sound: Space. NYU Press.
Licht, A. (2009). Sound Art: Origins, development and ambiguities. Organised Sound, 14(1), 3-10.
Lucier, A., Simon, D. (1980) Chambers, Scores by Alvin Lucier. Wesleyan University Press.
Lucier, A. (2014). The Propagation of Sound in Space. A Point of View (1979). Tacet, 3, 31-46.
Loos, A. (1912) The Mystery of Acoustics. On Architecture. Ariadne Press.
Oliveros, P. (2005). Deep listening: A composer’s sound practice. Iuniverse.
Ouzounian, G. (2006). Embodied sound: Aural architectures and the body. Contemporary Music Review, 25(1-2), 69-79.
Pardo, C. (2002). Del poema al gesto electrónico total: una continuidad en transformación. Massilia: Anuario de Estudios Lecorbuserianos, (2002), 194.
Pardo, C. (2017). The Emergence of Sound Art: Opening the Cages of Sound. The Journal of Aesthetics and Art Criticism, 75(1), 35-48.
Rendell, J. (2006). Art and Architecture, A Place Between. I.B. Tauris & Co Ltd.
Rogers, H. (2013). Sounding the Gallery: Video and the Rise of Art-music. Oxford University Press.
Saladin, M. (2014). Tracing sound space. Tacet, 3, 10-27.
Serres, M. (1982). Genesis. 4rth ed. Translated by Genevieve James and James Nielson. The University of Michigan Press.
Smithson, R. (1967). The monuments of Passaic. Artforum, 6(4), 68-73.
Sterne, J. (2012). The sound studies reader. Routledge.
Thibaud, J. (2011) The Three Dynamics of Urban Ambiances. Site of Sound: Of Architecture and the Ear, Vol. II, 43.
Downloads
Published
-
Abstract303
-
PDF (Español)144
How to Cite
Issue
Section
License
Copyright (c) 2021 Mathias Klenner Rouliez, Sofía Balbontín Gallo
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.