Current Issue

Collective theater introduced a fundamental change in theatrical production, empowering the performer in the creation of stage material and fostering a new dramaturgy centered on the corporality and acting language of a collaborative text. Each participant has a voice in the creative task, in a free, collective stage play committed to their reality, seeking expression and paving the way for new acting techniques. This movement affirmed the need for a Latin American identity for theater, which also influenced the pedagogical processes of schools training performing artists.
Full Issue
Reflections about Performing Arts
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The physical action as an experience in the creation process of “The House of the Lame”
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Abstract 23
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PDF (Español) 39
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Abstract 23
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Intra-gender violence and the performing arts as a strategy for social transformation
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Abstract 18
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PDF (Español) 7
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Abstract 18
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Being children again: art, play, and memory in interdisciplinary creation
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Abstract 26
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PDF (Español) 35
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Abstract 26
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The knowing, doing, and being in theatrical training. Indissoluble triptych
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Abstract 13
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PDF (Español) 4
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Abstract 13
State of the art
The Voz a vos virtual Bulletin presents academic reflections on the pedagogy of Performing Arts and articles resulting from the creative research processes, as well as academic and artistic events, national and international, in which our students and professors participate in Bachelor in Performing Arts of the Antonio Nariño University.