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AI and the signs of simulation
Vol. 19 No. 38 (2025)Today's technologies challenge us and impose doubt in the face of the avalanche of data and creations. In this context, the limits of technological expression explore the expressive and aesthetic possibilities of digital media, expanding the field of thought and art, transforming the universe of images, and generating sounds and texts that confront us. Artificial Intelligence (AI) provides tools and methods for creation that enable the automatic generation of texts, the algorithmic manipulation of languages, and the dynamic interaction between humans and machines in creative processes. Today, these practices affect our way of perceiving and relating to ideas and images, and introduce us to interactive, dynamic dimensions, where the recipient is not merely a spectator, but an active participant in the creation and reinterpretation of meanings, leading us to a critical awareness of the role of technology in the construction of vast cultural realities. -
Nodo 36
Vol. 18 No. 36 (2024)Elsa Koren (Francia, 1970), artista visual. Fotografía de Norma Patiño, 2024, de su proyecto “Miradas y aleteos. Mujeres por mujeres en resistencia”
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Ciudad y arte sonoro
Vol. 16 No. 31 (2021)In tune with the work carried out by the UAN Faculty of Arts to recognize itself from an interdisciplinary dialogue and a critical view of the changes that have led to the entry into force of research policies in the imaginary of the arts. , this issue of Node magazine invites you to recognize and explore the work of people who have embraced the legacy of pioneers in the field and rigorously experiment with this time-based art form. The edition encompasses both the work of artists who explore sound in its purest form while blurring the barriers between sound, noise and music in the historical or contemporary sense, such as those who investigate the political and cultural implications of certain sounds to enhance human rights.
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