Towards a new expanded radioart

Authors

  • Manuel Rocha Iturbide Investigador y docente de la Universidad Autónoma Metropolitana Unidad Lerma Departamento de Artes y Humanidades

DOI:

https://doi.org/10.54104/nodo.v17n33.1366

Keywords:

soundart, intermedia, electroacoustic music, radioart

Abstract

In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and mu­sicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio.

 

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References

Barret, Natasha (2014). Trends in Electroacoustic Music, Electronic Music, Nueca York: Cambridge University Press.

Emmerson, Simon y Landy, Leigh (2016). The analysis of electro­acoustic music: the differing needs of its genres and categories, Expanding the horizon of electroacoustic music analysis, UK: Cambridge University Press, p. 8.

Gallo, Rubén (2007). Poesía sin hilos: radio y vanguardia, Revista Iberoamericana, vol. LXXIII, núm. 221, octubre-diciembre de 2007, pp. 828-832.

Iges, José (1997). Arte radiofónico. Un arte sonoro para el espacio electrónico de la radiodifusión, tesis doctoral, Universidad Complutense de Madrid. Facultad de Ciencias de la Información, Madrid, España.

Kröpl, Francisco (1996). Expériences et réflexions sur la musique électoracoustique, Actes de L’Académie Internationale de Mu­sique Electroacoustique/Bourges, t. 1/1995: Aesthetics and Elec­troacoustic Music, París: Actéon Mnémosyne, pp. 59-60.

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Rocha Iturbide, Manuel (2020). Música electroacústica e instalación sonora. Convergencias y divergencias, en Espacio inmersividad. Miradas desde la transversalidad filosofía-arte- ciencia-tecnología, Ciudad de México: UAM.

Rocha Iturbide, Manuel (2005). ¿Qué es el arte sonoro? Consultado el 15 de enero de 2022 en www.artesonoro.net/artesonoroglobal/QueEsElArteSonoro.html

Salzman, Eric (1971). Edgar Varèse, Stereo Review, junio de 1971, consultado el 31 de mayo de 2022, https://www.afka.net/ Articles/1971-06_Stereo_Review_1.htm

Taller de Radio (2016). Acerca de la radio y del radioarte, consultado el 31 de mayo de 2022. https://www.tallerderadio.com.ar/recursos/material-didactico/el-medio/54-acerca-de-la-radio-y-el-radioarte

Whitehead, Gregory (1992). Out of the dark, notes on the nobodies of radioart, en Wireless Imagination. Sound, Radio And The Avant-Gard, Cambridge: The MIR Press, p. 253.

Published

2022-10-11 — Updated on 2022-10-11

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How to Cite

Rocha Iturbide, M. (2022). Towards a new expanded radioart. REVISTA NODO, 17(33), 45–54. https://doi.org/10.54104/nodo.v17n33.1366

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Artículo de Reflexión (Ensayo)

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