Transsexuality in the photographic work of Susana Casarin
DOI:
https://doi.org/10.54104/nodo.v20n40.2469Keywords:
documental, Social photography, Transgender, Visibil, Make visibleAbstract
Throughout human history, taboos and prejudices have existed, along with scientific attacks against transgender and transvestite people. Today, this important discussion continues, aiming to raise awareness and demand their human rights. In this work, I will share some reflections on the photographic work of Susana Casarin, who has brought visibility to transgender people in her series Realities and Desires (2012), Muxes and Apsaras (2020), which have been exhibited in national and international museums. Furthermore, one of her series, Muxes, inspired a very interesting short documentary by screenwriter and director Javier Solórzano Casarin. Photography, as an art discipline, has played a relevant role in this sense and is a support for showing these people in their essence.
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References
Cavagh Sheila Sykes Heather (2009). Cuerpos transexuales en las Olimpiadas: las políticas del Comité Internacional Olímpico en relación a los atletas transexuales en los Juegos de Verano, 2004, pp. 42-43.
Casarin, Susana y Kraus, Arnoldo (2012). Realidades y deseos, Artes de México, colección Luz Portátil.
Kraus, Arnoldo (2012), El cuerpo como casa, Realidades y deseos, Artes de México, colección Luz Portátil, pp. 11.
Made in Bangkok (película, 2025). Flavio Florencio (dir.).
Muxes y apsarás. El tercer género en los ojos de la fotógrafa Susana Casarin (exposición, septiembre de 2020). Instituto Cultural de México en España.
Soley-Beltrán, Patricia(2009). La transexualidad y la matriz heterosexual. Un estudio crítico de Judith Butler, Barcelona, Bellaterra, p. 265.
Ti Muxe (película, 2013). Solórzano Casarin, Javier (dir.). Cortometraje documental basado en la serie fotográfica de Susana Casarin.
Transvestia (revista) (1962). Biblioteca de California, State University Northridge, CSUN, no. 15.
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